Affinity by Sarah Waters

17 April, 2010

I’ve been meaning to read this book for ages, since I finished The Night Watch last year (which I loved, loved, loved), and had heard many nice things about it, and I finally did! And since I also wanted to watch the TV adaptation, I thought I’d post a joint review similar to that posted by su[shu] for Murakami Haruki’s Tony Takitani.

Unlike the majority of Sarah Waters’ fans, I fell in love with her writing starting with The Little Stranger followed by The Night Watch. I had previously read Fingersmith when it was first published in 2002 and don’t recall it having any serious impact on me. But it looks as though Fingersmith seems to be everyone’s favourite book, so I’ve got a copy on standby for a re-read in the near future.

There is something magical about Waters’ prose. It starts out quietly, silently and slowly draws you in, deeper and wanting more. That was how I felt when reading Affinity. The Night Watch had such an impact on me that I thought somehow I may have been spoilt and not find Affinity as enjoyable. Certainly the style was different, and so was the setting and plot. But Affinity had such atmosphere and, like the main character Margaret, I was completely taken in.

The story begins with Margaret Prior, a spinster in her late twenties, who is recovering from her beloved father’s death. To occupy herself, she has volunteered to go and spend some time talking to and helping the female inmates of Millbank Prison. Here she meets women outside her social circle and discovers Selina Dawes, a spiritual medium who is serving five years for causing harm to a young girl and, indirectly, the death of her patron. Margaret is fascinated by Selina who insists that it was Peter Quick, her spirit conduit who was to blame. In the stifling atmosphere of Millbank Prison, Margaret finds herself drawn to the beautiful girl and soon experiences strange occurrences that can only be attibuted to the work of spirits. Can this be real? And will she be able to save Selina?

Although Waters’ writing is wonderful, I found the book to be rather slow at the beginning. It is only after finishing the book that I realised what a genius Sarah Waters is. The plot is constructed in such a clever way that you are Margaret, and you fall in love, you start to believe in the spirits Selina sees and then you realise suddenly what has really been happening. It all slots into place and you are left reeling, wondering why you never saw what was plainly there in front of your eyes.

Really, you have to read this book. And please read it before you watch the TV adaptation. Because although the adaptation was good, it just isn’t as good as the book.

I thought the casting of Anna Madeley and Zoe Tapper as the two main characters in the TV adaptation was brilliant. The script was written by Andrew Davies who also wrote the scripts for Pride and Prejudice (the one with Colin Firth) and Bleak House, both of which I loved. But somehow, you lose something in the translation and I found it a little wanting. As so often happens, I noticed a couple of changes which I felt may have been necessary for the adaptation but changed the meaning of the story a little. However, the cinematography was beautiful and I think it captured the spirit of the book.

It was interesting to watch the DVD straight after reading the book to compare them, but maybe it might have been better if I had let a couple of weeks dampen my enthusiasm for the book so that I could have given the DVD a chance. What do you think?

Advertisements