Blackout

After racing through both Doomsday Book and To Say Nothing of the Dog, I was keen to return to Connie Willis’ world, Oxford circa 2065, mixed with time travel back to the Blitz. As much as I enjoyed the light tone of To Say Nothing of the Dog, I was hoping that Blackout and All Clear would be closer to the darker, sombre and menacing mood in Doomsday Book. And it was and so much more.

Blackout and All Clear are two parts of one grand novel and so I will discuss them together. Set seven years after Doomsday book, we are once again reunited with Dr. Dunworthy, his team at Balliol College and Colin Templar who was just a boy in the earlier novel. Colin is now in his final year at school and preparing to get into Oxford to study under Dunworthy, his dream of time-traveling still unabated and perhaps stoked a little by his crush on Dunworthy’s student Polly who is sent back to 1940s London together with fellow history students Merope and Michael in order to complete their finals. All are armed with their required survival skills and knowledge including a list of crisis points and bombing schedules to keep them safe. Polly will be arriving in London to work as a shop girl, Merope as a maid in a country house to study evacuees and Michael, armed with an American accent to pass muster as a journalist, to study local heroes.

Everything goes smoothly for Merope who has been working for a couple of months looking after children from the East End, but as soon as Polly and Michael appear, things start to go wrong. Due to the build up of slippage, they arrive at different coordinates and time which means they are stranded. But confident in the information they possess, they try to get to where they are meant to be, looking for work and their contacts. And so begins their quest for survival as they slowly realise that their team in Oxford have no idea where or when they are when they fail to rendezvous and report back to their lab. There is no way back except to pray that Dunworthy will come to save them in time. For the clock is ticking and the list of expected bombing dates is only as long as their carefully planned stay. In the meantime, Merope finds herself in charge of two East End tearaways, Michael finds himself in Dunkirk, the last place he expected to be and one which should have been impossible as it is a major crisis point, and Polly finds herself drawn into an amateur acting troupe in her local shelter.

Both Blackout and All Clear are all about the race against time. Will Merope, Polly and Michael manage to find each other? And even if they do, will they be able to send messages back into the future for Mr. Dunworthy to mount a rescue operation? As the days pass and the dangers increase, Polly can only pray that Colin will do as he has promised; that he will come and find her wherever she is.

Willis has really outdone herself here. Apart from conjuring up how it must have felt like to be alive during this time, the constant fear, unexpected camaraderie and kindnesses, the resilience of the common people which broke through the class barrier which is reminiscent of Sarah Waters’ The Night Watch in its depiction of London, she has also built this into an intricate plot with time travel, parallel timelines and history assignments. For the one cardinal rule of time-travel is that you can go back as many times as you like except you can’t inhabit the same time and place twice. There is a deadline and one of the students is in danger unless they can get out in time.

I keep saying this again and again; Willis has created a credible and vibrant universe, not so different from our own in which time-travel exists with all its paradoxes and problems of slippage. Her time-travel theories are in themselves fascinating but it is her story-telling and characters which will remain with you long after you finish reading her novels. It’s difficult to do her novels justice when trying to describe them, her plots are intricate and she really brings alive the historical periods into which she delves. And it’s not surprising that Blackout and All Clear have won the 2010 Nebula Award for Best Novel, the 2011 Locus Award for Best Science Fiction Novel and the 2011 Hugo Award for Best Novel. So I do urge you, go and read them!

All Clear

To Say Nothing of the Dog

Because around a crisis point, even the tiniest action can assume importance all out of proportion to its size. Consequences multiply and cascade, and anything – a missed telephone call, a match struck during a blackout, a dropped piece of paper, a single moment – can have empire-tottering effects.

Following on from Doomsday Book which saw one of the Oxford historians sent back in time to a plague-ridden Middle Ages, Connie Willis returns with To Say Nothing of the Dog (or How We Found the Bishop’s Bird Stump at Last) set in 2057 in Oxford but this time with a different set of students to probe Victorian England.

History student Ned Henry has been sent on several trips to the 1940s and even further back by the formidable Lady Schrapnell, who has hijacked all time-traveling personnel in Oxford, to search for the legendary bishop’s bird stump, a hideous ornament lost in the bombing of Coventry Cathedral during the Blitz. Trying to escape the tedium of combing through Edwardian jumble sales looking for clues as to the whereabouts of the bishop’s bird stump, Ned jumps at the chance to travel to the Victorian period on a job for Mr. Dunworthy of Balliol College. Unfortunately, due to severe time-lag, he falls asleep just as Mr. Dunworthy is prepping him on his mission and consequently arrives in Victorian Oxford without a clue as to what he must actually accomplish carrying only a covered basket. This sets in motion a number of unforeseen events. All he knows is that his mission has to do with a place called Muching’s End and a boat.

Looking for his contact, he falls in with a student named Terence St Trewes with a dog named Cyril who hires a boat to Muching’s End to chase after Tossie Mering who turns out to be Lady Shrapnell’s ancestor. Tossie is looking for her cat Princess Arjumand who has gone missing and, it later transpires, has been rescued from drowning by Ned’s fellow student Verity Kindle, thereby possibly altering time.

Verity returns to Muching’s End to ensure she hasn’t changed anything and to ensure Tossie gets to Coventry where she will meet her destiny and to enlist Ned to make sure history happens as it’s written. As both Verity and Ned navigate the social etiquette of Victorian Britain, trying to make sure they evade suspicion while completing their mission, it becomes increasingly clear that Mr. Dunworthy has plans of his own. Can Verity manage to evade the problems caused by her actions? And can Ned prevent Tossie and Terence from getting together? And will they find the blasted bishop’s bird stump?

Throw a dodgy spiritual medium into the mix and Willis has created a comedy of errors whilst also addressing the paradoxical nature of time travel. Discussions about slippage and consequences of actions are well thought out and once again Willis’ fascinating portrayal of time travel is a winner. However, To Say Nothing of the Dog is very different in tone to its predecessor Doomsday Book. We are once again reunited with Mr. Dunworthy and his team, but this novel is much more light-hearted; a comedy of manners with lots of missed chances, misunderstanding and unexpected twists.

It took me a while to get used to this new style but in the end Willis managed to hook my interest with her intricate plotting, a nice mixture of Austen and Christie with a conscious homage to Jerome K. Jerome’s Three Men in a Boat (To Say Nothing of the Dog!). As I haven’t read the novel, I doubtless missed any references which may have added to my pleasure however this didn’t in any way detract from my enjoyment. Winner of the Hugo and Locus Awards in 1999, To Say Nothing of the Dog is a difficult novel to summarise, so intricate is the plotting, but I urge you to try Willis’ work – it’ll be like nothing else you’ve read before.

Next stop: Blackout/All Clear.

Doomsday Book

I am also calling it the Domesday Book because I would imagine that’s what you’d like to call it, you are so convinced something awful’s going to happen to me. I’m watching you in the observation area right now, telling poor Dr. Ahrens all the dreadful dangers of the 1300s. You needn’t bother. She’s already warned about time lag and every single mediaeval disease in gruesome detail, even though I’m supposed to be immune to all of them. And warned me about the prevalence of rape in the 1300s. And when I tell her I’ll be perfectly all right she doesn’t listen to me either. I will be perfectly all right, Mr. Dunworthy.

Winner of the Hugo and Nebula Awards, Connie Willis’ Doomsday Book is an incredible novel. Well-written, pacey, it’s relentless in driving the story forward while keeping the terror just in check. Almost from the start, Willis flings you into the world of academic experimental history at Oxford circa 2054.

It’s just before Christmas and Kivrin, a Medieval history student, is determined to time-travel back to the Middle Ages to experience life as it really was. The absence of the Department Head meant that she was able to convince the acting Head at Brasenose College, Gilchrist, to authorise her drop even though Dunworthy, her mentor at Balliol, warns her against the dangers of traveling so far back in time. For Gilchrist. trying to maximise his trajectory up the career ladder, is planning to send Kivrin back to 1320, before the plague crosses over to England. With so little real information about actual daily life in the Middle Ages, Kivrin spends every moment of her time preparing, learning all the relevant languages, medical information, daily customs so that she will blend in seamlessly. Dr. Mary Ahrens has also prepped her at the hospital, giving her all the necessary inoculations including against bubonic plague, and enhancing her immunity.

Amidst severe misgivings from both Dunworthy and Ahrens, Kivrin goes through and the others make preparations to pick her up 2 weeks later. But something goes wrong and Badri, the university’s best tech who supervised the drop, falls ill just as soon as he finds Dunworthy. And Oxford goes into lockdown as a mysterious pandemic brings down those involved in Kivrin’s drop, one after another. The net, which allows the time-travel, works in a paradox where nothing that will change the course of history can get through. But something unforeseen has happened and no one is sure where Kivrin is. So what exactly happened here, and will they be able to get Kivrin back?

Kivrin finds herself transported to the Middle Ages but nothing is as she expected. The net was supposed to drop her near the village of Skendgate, close to Oxford, and her aim is to record everything she finds there so that when she returns she can help Dr. Montoya with her archeological dig. But she isn’t sure whether the trail she has found is the Oxford-Bath Road and whether the smattering of dwellings she spies down the hill is actually Skendgate. But she is suddenly overcome with fatigue and before she knows it, she is ill and someone has come to rescue her, and she finds herself in a household filled with fourteenth century people, in all their unwashed, superstitious glory. And she can’t understand them, their pronunciation differing from the Middle English she was taught. While Kivrin fears she will spend Christmas ill in bed instead of completing her research, something worse comes along and people begin to drop like flies. She should have landed in 1320, 28 years before the plague arrives in Oxford. But something has gone wrong.

She has a fever, but no buboes, and she isn’t coughing or vomiting. Just the fever.

In Doomsday Book Willis has created a complex, chaotic and thrilling tale mixing futuristic technology with old-world academic squabbling and melds it to the horrors of medieval society faced with the onslaught of the bubonic plague. It is seamless and the terror relentless. There is just a wonderful mixture of drama, speculation and comedy from a futuristic but still identifiable Oxford to a more earthy fourteenth century guise. I love the bit where Dr. Ahrens asks Kivrin whether she would like her nose cauterised as

the smells of the fourteenth century could be completely incapacitating, that we’re simply not used to excrement and bad meat and decomposition in this day and age. I told her nausea would interfere significantly with her ability to function.

And as Oxford in 2054 quickly buckles into a chaotic epicentre of disease control, Dunworthy, hounded by his secretary and a group of stranded American bellringers, finds a helper in Colin, Dr. Ahrens’ grand nephew, who injects a festive cheer in the nightmare from which he may be unable to rescure Kivrin. Colin is such a great character with his interjections of ‘apocalyptic’ and ‘necrotic’ which makes it seem as though he’s crawled out of an E. Nesbit book. And Kivrin is a protagonist that Willis can be proud of, strong, intelligent, scared and yet fearless; a true seeker of knowledge, with Dunworthy and Dr. Ahrens making formidable allies. As both Kivrin and Dunworthy battle through their respective timelines, will they both survive? And can Dunworthy bring his student back alive?

Doomsday Book has seen many years on my shelf and so many of my book blogging friends have entreated me to read this book and I wish I had listened to them earlier. It’s a magnificent story, far superior to so many time-traveling books and films I’ve seen over the years. I wish they’d make a live action adaptation of this but I fear they would spoil it. And boy am I glad Willis has written more novels in her Oxford Time Travel series. Who amongst us hasn’t wondered whether what we read in history books or watch in documentaries even come close to how life was really like in the past? Imagine studying history, really studying history by actually traveling to the past.

I’m off to read To Say Nothing of the Dog and Blackout/All Clear next.

I read this as part of R.I.P. IX.

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