Talulla Rising, the second in Glen Duncan’s werewolf trilogy is as mind-blasting as its prequel, The Last Werewolf. At times disturbing, revolting and difficult to read, nevertheless, read it you must because you will want to know what happens to Talulla, whether it’s going to be ok, whether she’s going to find peace and happiness, whether she’ll survive.

It’s difficult to write about this book without giving too much away just because Duncan brings in curveballs one after another, not letting you breathe before twisting your head this way and that. All I want to say is, don’t read the ending. Just read it right through because part of the thrill of reading Duncan’s novel is waiting to see whether you can second guess him. And I guarantee that you won’t.

The madness starts from page one as Talulla is on the run with her facilitator, Cloquet, and it’s approaching full moon. Pregnant and grieving, things never go according to plan and Talulla is left lying in her not-so-secret cabin, bloody and tired as she is ambushed by vampires. As Jacqueline Delon kidnaps her baby, Talulla must find the vampires and save them both. And in doing so, confront who and what she has become.

OK, I’m trying hard not do put down any spoilers except for the obvious. I enjoyed this book tremendously although it was much more violent and disturbing than the previous one. In fact, I rather think it went overboard. Since Duncan seems to be going all the way with his trilogy and apparently gore, horror and violence sells, and his subject matter is truly horrific, I can understand. Well, a little, as I have to admit there were bits I didn’t like reading.

Considering Talulla Rising is written from the point of view of Talulla and is supposed to be a woman’s novel rather than a man’s, it seemed that it was even more violent, only slightly counterbalanced by feelings of family and community as opposed to the loneliness and noir of The Last Werewolf. Talulla is a different animal compared to Jake Marlowe; she’s more pragmatic, less of a romantic. I kind of missed all the literary allusions that were so generously sprinkled in Jake’s diaries in the previous book.

But then she is having to deal with death, grief, being pregnant and the literal horror of giving birth to a monster, so I guess she’s got a lot on her plate, enough to wipe away any sentimentality and twee-ness. And people are out to kill her.

So in general, I wouldn’t recommend Talulla Rising for people with weak stomachs. Saying that, it is a cracking, fast-paced read and I want to know what will happen next and will be eagerly looking out for the final volume. One thing I have to say, Duncan is a master at hooking the reader.

W.O.W. There’s been a LOT of hype surrounding Glen Duncan’s The Last Werewolf, a large part of it focussing on how a literary novelist turned his pen to writing a commercially viable and on-trend novel about werewolves, an intellectual experiment mimicking the Twilight and YA craze sweeping the literary world at the moment. Since I don’t necessarily subscribe to the school of turning my nose up at genre fiction, I have to admit I get slightly put off by this issue. Sometimes genre fiction can get to the heart of what makes us human without getting bogged down in the minutiae of daily life. But I came upon this at my local library and, so of course, who am I to say nay to a book about the last werewolf? I’ve been devouring werewolf and vampire books forever and have to admit I have a sneaky preference for the wolf.

But hat’s off to Glen Duncan who has written a tense, blind-siding thriller that is all angst, meta and is intellectually interesting in a post-modern kind of way. Jacob Marlowe (and what a name!) is tired of living, chain smokes, drinks like a fish and likes to have sex with call girls. He’s eschewed love after realising that there is nothing more delicious than devouring it. When he learns that WOCOP (World Organisation for the Control of Occult Phenomena), a sinister, FBI-ish body (reminiscent of Anne Rice’s Talamasca but with guns) has killed the last but one werewolf and that Eric Grainer is after his ass in revenge for his father’s death, Jake is ready for it. Even though Harley, his long-time friend and facilitator is heartbroken, Jake is ready to die. WOCOP are after him, the vampires are after him and Jake is done running. That is, until things take several shocking turns and he finds a reason to live.

That’s all I’m going to tell you, but you really need to read this book. Even if you don’t like all this werewolf business, it’s a thrilling read. And if you do, there’s none of that sappy tweeny romance thing going on. It’s visceral, full-bodied and er… bloody. And very smart.

And you can’t help warming up to Jake Marlowe, a chain-smoking, hard drinking, very sexual and noir werewolf who balances his appetites with behind-the-scene philanthropic gestures possible via his gargantuan fortune siphoned away in secure Swiss bank accounts.

One thing that always strikes me, however, with novels (genre and literary) where the protagonist is male and the author is also male is the predominant use of prostitutes whenever the issue of sex arises. I’m still waiting to read a book by a man where men don’t need to turn to prossies, or if they do, at least have female characters that turn to male prossies to balance things out. Why is it ex-boyfriends for the girls if they want to get laid without strings? That still makes me think Steven Erikson is a hell of a writer since he does it so effortlessly.

I enjoyed this immensely and am looking forward to the sequel, Tallula Rising, which has just been published. Really. It’s been a long while since I’ve read such a good book about werewolves. I may even want to try his other more literary novels.

Do also check out the podcast at The Readers where Simon S and Gavin interview Glen Duncan and discuss The Last Werewolf with some readers including moi.